[[http://earlymusic.dikmans.net/introduction-historically-informed-performance-practice.html|Introduction to Historically Informed Performance Practice ]]

[[http://earlymusic.dikmans.net/rhetoric-and-historically-informed-performance-1.html|The Performer as Orator:
Rhetoric and Historically Informed Performance ]]

[[http://earlymusic.dikmans.net/rhetoric-and-historically-informed-performance-2.html|The Performer as Orator:
Rhetoric and Historically Informed Performance (2)]]

[[http://earlymusic.dikmans.net/quantz-historically-informed-performance.html|Johann Joachim Quantz on Historically Informed Performance]]

[[http://earlymusic.dikmans.net/cpe-bach-historically-informed-performance.html|C.P.E. Bach on Historically Informed Performance]]

[[http://earlymusic.dikmans.net/leopold-mozart-historically-informed-performance.html|Leopold Mozart on Historically Informed Performance]]

[[http://earlymusic.dikmans.net/quotations-about-historically-informed-performance.html|Quotations about Historically Informed Performance]]

[[http://earlymusic.dikmans.net/affect-terms.html|Affects in Italian and French Music, and in the Typical Baroque Sonata]]

[[https://imslp.org/wiki/The_Interpretation_of_the_Music_of_the_17th_and_18th_Centuries_(Dolmetsch,_Arnold)|The Interpretation of the Music of the 17th and 18th Centuries (Dolmetsch, Arnold) ]]

[[http://www.bsherman.net/encyclopedia.html|AUTHENTICITY IN MUSICAL PERFORMANCE]]